Broadcasters can customize the layout and controls to fit the exact needs of each user, choosing from one of the predesigned templates or Radius is an all-in-one console system designed for small standalone or networked studios, where no more than eight faders are needed.
Take it on those road trip remotes, or to sporting events where multiple mics are required. The Radius surface connects to the QOR.16 engine with a single CANBus cable.The DESQ IP Console is a cost-effective small-footprint console for interview studios, live performance spaces for on-air broadcast, news and feature product — whatever. Like all Axia consoles, it’s easy to deploy: each Radius control surface is powered by a burly QOR.16 integrated console engine with DSP-powered mixing engine, analog and digital audio I/O, custom Ethernet switch and GPIO ports.
Each QOR.16 provides 8 Analog inputs and 4 Analog outputs, 1 AES/EBU input and 1 AES/EBU output, 2 Microphone inputs with selectable Phantom power, 4 GPIO machine-control logic ports, each with 5 inputs and 5 outputs, an integrated network switch with 6 Livewire® 100BASE-T Ethernet ports and 2 1000BASE-T (Gigabit) ports with SFP, a heavy-duty Telecom-grade power supply with fanless convection cooling, and an industrial-grade CPU designed for harsh- environment reliability.Use QOR.16 with a Radius, DESQ or RAQ mixing console as a standalone studio solution, or connect to other Axia equipment as part of a larger IP-Audio network. Simple Networking allows daisy-chain connection of up to 4 QOR-based studios without the use of an external network switch. I/O can easily be expanded using Axia xNodes. DESQ has two stereo mixing buses and a Preview (cue) bus, six side- loading, 100mm. But DESQ is built to stand up to heavy workloads, with a machined-aluminum work surface. Great for home studios as well — or even on the Production Director’s desk: DESQ is only 16″ square, so you can put it in places a big console just can’t fit.
Then release and push again within 5 seconds to confirm. Press and hold soft-key for 3 seconds. For sources in "Used EW" mode, add soft-key function to request unload. When you are ready, select the new version by clicking the radio button next to it, then click the "Change active bank" button.
(Post Fader is the default) In the Source profile, set the Record insert option as pre or post-fader. Added option to set the channel insert to the P4-Record as PreFader. In Fader start, moving the fader changes state to ON. Record Insert mode switch (pre/post fader).Fader start workflow is not compatible with P4-Record which is OFF but Post-Fader. A new "Feed to Source" mode is added in the Source profiles called, Auto-Rec (Program 1/Phone), which controls what the caller hears based on the state of the Record Mode rather than the console on/off state.
Generate Fast Clock compatible with some older Engine based products (although not RTP and AES-67 compliant) Fixed dynamic meters in cases where source audio signal is not on the left channel. Fixed some small memory leaks in LWCP processing (profile lists and invalid messages). Fixed rare case where NTP status is not updated correctly.
Now that xNode has mixer it is possible to have a stream with 2 mics, one on Left,`one on Right. Allow MIC source combining. Enter key would save profiles. Improved profile editing experience. General optimizations for remote control interfaces. LWCP: translate src_id between 0 and -1.
Fix CR Monitor GPIO 4th pin state after show load.If you have further questions on this topic or have ideas about how we can improve this document, please contact us. Brightness is not applied after configuration restore. Fixed a rare case where QOR might wrongly become Livewire master even if there are other Livewire devices with higher clock master priority. multicast GPIO commands are sent in a single message if possible.
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